خلاصه داستان : در ابتدای جنگ داخلی، هفت دوست عازم سفر دور کشور می شوند تا به ارتش متحدین ملحق شوند.

At the beginning of the Civil War, seven friends embark on a cross-country journey in order to join the Confederate army.

خلاصه داستان : آپاچی ها در تیررس جنگ قرار دارند و ارتش باید از آنها دفاع کند. ماموریت مورفی این است که یک محموله تفنگ را در دست گیرد، اما این محموله توسط تاجران سفید پوست حریص و با کمک سربازان شورشی دزدیده می شود.

The Apaches are on the warpath and the Army must defend them. Murphy's mission is to get a shipment of rifles, but it's stolen by greedy white traders with the help of mutinous soldiers

خلاصه داستان :

A drifter finds himself wrongly accused of murder by a power-crazed sheriff. The sheriff gives him a horse, some supplies, and a one-hour head start into the desert before sending his murderous posse after him.

خلاصه داستان :

Jody Deakes joins up with his father after many years, just to discover that his dad is part of an outlaw gang on the run from a relentless bounty hunter named Santee. Jody is orphaned soon after Santee catches up to the gang, and follows Santee in hopes of taking vengeance for his father's death. Instead, however, Jody discovers that Santee is a good and loving man, tormented by the death of his young son at the hands of another outlaw gang. Santee and his wife take Jody in and a father and son relationship begins to grow. Then the gang that shot Santee's son shows up. The film was produced by Edward Platt of Get Smart fame. It was one of the first motion pictures to be shot electronically on videotape and then transferred to film.

خلاصه داستان : یک زن ثروتمند اما تنها ، فرانسیس آستین ، روزی یک جوان بی سرپناه را از پارک مجاور به آپارتمان خود دعوت می کند و به او پیشنهاد می دهد که در آنجا زندگی کند. با این حال ، او هیچ قصدی ندارد که اجازه دهد دوباره او را ترک کند.

Frances Austen, whose well-appointed apartment overlooks a park in Vancouver, one cold day, observes a rain-soaked young man on a park bench whom she assumes is homeless. Hoping to repress her loneliness, Frances invites ‘the boy’ inside her home to get warm and ends up encouraging him to stay. The young man accepts her every hospitality—food, clothes, profuse conversation, and a room of his own. Little does she realize that her guest is not the person he appears to be. Nor, for that matter, is Frances the woman that she appears to be.